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Posted by C Gigliotti courtesy webdiva Suzi Webster

Here are some links to various uses of panoramic photography by artists and designers.
Notice how differently each person uses this technique, as narrative, as metaphor, as political critique, to name just a few uses.
How exactly do they do this? What kind of visual techniques are they using to accomplish what they want to communicate? And does this kind of photography feel more interactive?

“Daniel Canogar Home Page.” 7 Sep 2009 http://www.danielcanogar.com/page_in/index.html

“Off Center » Kiki Smith » sfmoma.” 7 Sep 2009 <http://blogs.walkerart.org/offcenter/page/2/?s=sfmoma>.

“Pari Nadimi Gallery (David Rokeby) in Toronto (Canada) from Re-title.com.” 7 Sep 2009 <http://www.re-title.com/exhibitions/archive_PariNadimiGallery1929.asp>.

“White Cube — Jeff Wall.” 7 Sep 2009 <http://www.whitecube.com/artists/wall/wall_misc1/>.

“White Cube — Andreas Gursky.” 7 Sep 2009 <http://www.whitecube.com/artists/gursky/v/>.

Be sure to check out the DIVA 200 Moodle site for necessary downloads, like a pdf of your course outline.

Posted by CGiglioti

Patricia Piccinini

January 13, 2009


fascinating work: i love some of her essays

Daniel Canogar

January 13, 2009


Read/see more

unknown.jpeg

Pari Nadimi Gallery is pleased to announce a major solo exhibition by internationally acclaimed artist David Rokeby.

Machine for Taking Time (boul. Saint-Laurent) (2007) is the second in an ongoing series of works in which video cameras on motorized mounts survey particular places over time, building up large image databases from which the final work is constructed. The original, commissioned by the Oakville Galleries, Canada, surveyed the Gairloch Gardens. In this new work, 2 high definition cameras observed the city of Montréal to the east and to the west from the top of a 5 story building over the course of one year. The computer now wanders through these databases, stitching together leisurely continuous pans around the city, staying true to the original spatial trajectory but shifting unpredictably through time. Read the rest of this entry »

Andreas Gursky

January 6, 2008

 

Gursky’s large panoramic prints up to five meters in length required him to distance himself ever further from his object and to elevate himself above it. He positioned himself in another apartment building (Hong Kong, Shanghai Bank, 1994), on a crane (Mayday V), and even from a helicopter (Bahrain). The adoption of a bird’s-eye view goes hand in hand with an opposite move: zooming in to the tiniest detail …

Jeff Wall

January 5, 2008

A sudden gust of wind …. (afterHukosai)

Wall  draws upon cinematic techniques by using actors as protagonists, artificial lighting, staged compositions, and a narrative technique which leads you to contemplate the unseen events leading to the moment depicted